10 Février 2016
Akihito Miyoshi est artiste, photographe, japonais et s'apprécie lui-même, ce qui est plutôt une qualité dans la vie. Il s'intègre très souvent dans ses propres œuvres tout en se questionnant en même temps sur les relations entre l'art et la technologie, ce qui est son droit le plus strict après tout. Il faut bien s'occuper comme on peut.
Pour en savoir plus, vous pouvez lire ce texte en anglais ci-dessous ou chercher "Akihito Miyoshi" de vos petits doigts sur Google parce que je ne vais pas toujours tout vous mâcher. Non mais.
"Throughout my career I have been exploring the intersection between art and technology most frequently dealing with issues surrounding photographic representation. My works often reveal the conventions of perception and representation through tensions created by the use of computers and traditional photographic techniques.
The photographs included here are of mirrors, paper and tape often adhered to the surface of the mirror taken with a large format camera as they attempt to unpack the structural mechanics of photographic representation.
While the images allude to formal abstraction with various shapes and colors, the photographic nature of the images are emphasized as the image plane is selectively focused and blurred through the use of depth of field. The usually referencelessness nature of abstraction is contradicted by the presence of minute details captured by the use of a large format camera such as dust and scratch marks found on the surface of the mirror or the texture of the tapes used which makes the images photographically real and almost sculptural. These images have a duality (and tension) of being simultaneously abstract and photographically real.
Further, as with many of my other works the photographs expresses my interest in the effect of digital technology in photography and its aesthetic. For example the choice of red, green, and blue tape is based on the three primary colors that constitute a pixel. From a far the tapes can be seen as the pixels glowing on the computer screen. While the images are made using primarily traditional photographic methods, they reference the new aesthetic that seems to be emerging as a result of the use of digital tools and technologies. Seen in this context, by always including only the silhouette of the photographer with his camera, the images remind the viewers of the presence/absence of the producer/author and the method in which the images were constructed and bring forth the complex issues regarding authorship in the digital world." - Akihito Miyoshi-